With
the bull which Pope Pius II, the famous humanist Aeneas Silvius Piccolomini,
issued on September 6, 1462, Ljubljana was promoted to a bishopric city and the
Church of St. Nicholas to a cathedral. The statement says the townspeople excel
in looking with particular favour upon the Church and himself and therefore
deserve that he, Pope Pius II, honours them with his fatherly affection and
promotes the city by bestowing upon it an honourable title: “The town of
Ljubljana … is a convenient place for believers, appropriate and excellent by
virtue, knowledge, power and the like; therefore, we solemnly declare that
Ljubljana is now and forever to be considered a city…” With this promotion the
Pope gave the Canon Law validity to the Emperor’s foundation of Ljubljana
Diocese.
Ljubljana
had been a reputable town even earlier, and its geographical position in the
centre of the territory between the border of Friuli, dominated by the Republic
of Venice, and the external border of the Patriarchate of Aquileia on the Drava
River made it a suitable place for the seat of a new diocese. When within the
framework of his church policy in Inner Austria Emperor Frederick III founded
Ljubljana Diocese on December 6, 1461, he appointed Sigismund Lamberg, court
chaplain of the Emperor, as the first bishop, and Pius II announced his
election as the first Bishop of Ljubljana on June 6, 1463. It should not be
ignored that Pope Pius II, Emperor Frederick III and Sigismund Lamberg, Bishop
of Ljubljana, had been friends for long years, so that both the Pope and the
Emperor knew very well to whom they had entrusted the bishopric see. The image
of the Pope and the Emperor seated together on the same throne is a symbolic
illustration of this connection; this picture stands at the end of the
description of the “Sixth Age” in the history of the world in the Book of
Chronicles by Hartmann Schedel, published in 1493.
While
the catalogue names some artists who lived in Ljubljana at the time, the
exhibition points out Ljubljana as a city which lacked neither books nor eager
readers. One of these was also the later Pope Pius II, who had enjoyed staying
in Ljubljana because he had had access to good study libraries and the
necessary peace. But more important and more lasting used to be the communitas
litterarum, the community of the learned, which was possible in Ljubljana
because of its connections with the monasteries that had their palaces in the
city: Stična/Sittich had its palace at least from 1315 onwards, the
Bistra/Freudenthal Chartherhouse at least from 1317 onwards, next to the Church
of St. Nicholas stood the house of the Abbot of Gornji Grad/Obernburg from 1260
on; the one of the Cistercian monastery of Kostanjevica/Landstrass from 1344
on. Mention should also be made of the monastery of the Friars Minor of St.
Francis, the city monasteries of the Augustinians and the Teutonic Knights who
did not need their own palaces but were present in the cultural and intellectual
life. These palaces had their role in political and cultural life, superiors of
the monasteries brought with them to Ljubljana books from a variety of fields
necessary for work and in-depth study. An idea of the libraries stock can be
obtained from a receipt for fifty-five books borrowed by Sigismund Lamberg from
the Ljubljana Chapter, but it is very likely these were not all from the
shelves there.
Manuscripts
and incunabula in the exhibition that represent monastery libraries of Stična,
Kostanjevica, Bistra and Gornji Grad as well as those of Ljubljana – the
diocesan library, the ones of the Teutonic Knights and the monastery of Friars
Minor of St. Francis – illustrate the needs of the time. The contents are
varied; on the one hand, there are the dialogues of the late-Antiquity
philosopher Boethius, and on the other hand, the more humorous and naughty
dialogues of Petrarca, then works on theology and law, biblical books, prayer
books, liturgical books and the ones regulating the life of the respective
Order. Selected have been the manuscripts that reveal different stylistic
currents, from the Paris University milieu to the Court in Vienna, from the
Avignon aesthetics to the south German Renaissance. In the surveys of 15th
century Slovenia no mention has yet been made of the manuscripts originating
from the monastery of the Teutonic Knights: they are important not because of
outstanding artistic quality but because of the names of the copyists who lived
in Ljubljana and wrote down fragments of the life of their time.
A
rounded-up group consists of five incunabula whose illuminations represent
north Italian works which do not lack Renaissance details with memories of
Antiquity and contemporary Venetian art. The central place among the exhibits
is held by an incunabulum printed on parchment: the personal Breviary of
Sigismund Lamberg. It was printed in 1481 in Venice and was illuminated by one
of the painters there, the Pico Master (the Master of the Pico Pliny) resp.
Bartolomeo del Tintore. In the lower margin of the first page the Coronation of
the Virgin is depicted in the centre, on the left kneels Sigismund Lamberg, on
the right are his insignia. The kneeling Mary is turned towards Christ, asking
him for benevolence towards Bishop Lamberg. Her hair is grey and as the Wisdom
proper she is meaningfully related to God’s wisdom. The shape of the crown
which God the Father and Christ are holding above her head corresponds to the
crowns that can be seen on the heads of the Habsburg family rulers. The iconography
of the tiny scene is very rich and suggests that the Breviary might have been a
gift from Emperor Frederick III to his friend Sigismund Lamberg, Bishop of
Ljubljana.
-
Exhibition opening (video)
Project
partner
Narodna
in univerzitetna knjižnica
Authors
of the exhibition
France
Martin Dolinar, Nataša Golob
Coordinators
of the project
Katra
Meke, Mateja Breščak
Exhibition
set-up and graphic design
Ranko
Novak
Conservation−restoration
for the exhibition
Tina
Buh (NG), Center za konzerviranje in restavriranje (NUK), Jasna Malešič (NUK),
Miha Pirnat ml. (NG)
Works
of art were loaned by
The
Archives of the Republic of Slovenia
Franciscan
Monastery Ljubljana Center
Archdiocese
of Ljubljana
Archdiocesan
Archive of Ljubljana
National
Gallery of Slovenia
National
and University Library
Slovenian
Academy of Sciences and Arts
Private
collection
10 October 2019 – 5 January 2020
National Gallery of Slovenia
Prešernova 24
1000 Ljubljana