The
Museum of Arts and Crafts of Zagreb, Croatia, was founded in 1880 on the
initiative of the Art Society and its president of the time, Izidor Kršnjavi.
The strategy of the Museum’s activities was focused on the preservation of
traditional showpieces of folk crafts and on encouragement and development of
middle-class culture of that period. In 1882, a school of crafts was adjoined
to the Museum, the present-day School of Applied Arts and Design. From its
beginnings until today, the Museum’s basic tasks, among other duties, include
art education of the public and protection of cultural heritage.
The
Museum of Arts and Crafts’ premises – one of the key identity buildings of the
Lower Town of Zagreb – are currently closed to the public due to damage caused
by the 2020 earthquake. While the reconstruction of the Museum building is in
progress, a new installation of the permanent exhibition is being prepared in
accordance with the requirements of contemporary museological standards. The
museum exhibition activity continues busily, only it is oriented to guest
appearances in venues elsewhere. The exhibition Old Masters from the Collections of the
Museum of Arts and Crafts, Zagreb. Paintings, Sculptures and Prints at the National Gallery of
Slovenia in Ljubljana is the result of the long-standing cooperation between
the two museum institutions.
The selected artworks presented at the exhibition
emphasize and confirm the diversity of the technical term Old Masters, revealing the wealth and the complex process of formation
of art collections of the Museum of Arts and Crafts. Works by famous authors,
their workshops or followers are presented within the time span from the second
half of 14th to the 18th century. The Painting Collection of the Museum of
Arts and Crafts is
presented by a selection of nineteen works by representative Italian and
northern Old Masters and their workshops, such as Andrea Schiavone, Jan Victors, Leandro Bassano, Francesco
Cairo, or followers of Paolo Veneziano, Guido Reni and Balthasar van den
Bossche.
The selection from the Sculpture
Collection points to the masters who were important mainly for the subalpine
tradition of wooden polychrome sculpture. Their works originally made up parts
of the equipment of altar wholes in sacred buildings in South Tyrol, Upper
Austria, Bavaria, Styria and Croatia and point out the achievements of artistic
production under the patronage of ecclesiastical clients in the milieu that
valued most highly the established fine art patterns, tradition and graphic
models, and very often also kept to strictly codified iconographic formulas. Fifteen exhibits
from the Sculpture Collection of the Museum of Arts and Crafts from the period
between the 15th and the end of the
18th century showcase the production of Old Masters such as the Styrian master Hans von
Judenburg, the Bavarian master Hans Degler, and particularly the notable
Styrian Baroque masters, e.g. Veit Königer of Graz, Joseph Holzinger with his
workshop in Maribor, and Ferdinand Gallo, active in Celje, as well as works specifically
significant for the Zagreb milieu by the sculptors Johannes Komersteiner,
Claudius Kautz and Joseph Stallmayer.
The Print Collection of the Museum
of Arts and Crafts can be ranked among the most prestigious treasure troves of
the graphic production of the European cultural sphere. At this exhibition,
works by Croatian, Italian, French, Dutch and German artists are presented. The
selected prints show differences in graphic techniques, handling and artistic
interpretation of certain themes in the southern, i.e. Italian, graphic
production versus the northern one. It is not essential whether printmakers
engraved their own inventions or whether their works served as models for
further engraving process. The Print Collection of the Museum of Arts and Crafts is presented by eleven prominent works by Old Masters;
they date from the period between the 16th and the end of the 18thcentury. The selection includes graphic translations of works by Julije
Klović/Giulio Clovio, Michelangelo Buonarroti and Peter Paul Rubens as well as
original etchings by Jacques Callot, Giuseppe Vasi and other notable
printmakers who make up a unique panorama of outstanding achievements of
European graphic arts.
Authors
of the exhibition
Antonia Došen, Jasmina Fučkan, Marijana Paula Ferenčić
Coordination
Mateja Breščak, Marijana Paula Ferenčić
Conservation-restoration works for the exhibition
Ksenija
Pintar, Jasminka Podgorski, Museum of
Arts and Crafts, Zagreb
Pavao
Lerotić, Croatian Conservation Institute
Jelena Piasevoli Mikac, Velimir Mikac, Martina Petriček, KUSTODA d. o. o.
Exhibition
set-up and design
Bojan Lazarević, Agora Proars
The
project was supported by
19 September 2024 – 9 February 2025
National
Gallery of Slovenia
Prešernova 24
1000
Ljubljana